Net Worth
Bette Midler Net Worth

Net Worth: | $250 Million |
---|---|
Age: | 79 |
Born: | December 1, 1945 |
Gender: | Female |
Height: | 1.55 m (5 ft 1 in) |
Country of Origin: | United States of America |
Source of Wealth: | Professional Singer/Actress |
Last Updated: | Oct 22, 2025 |
Introduction
Bette Midler is an American professional actress, producer, singer, and songwriter with an estimated net worth of $250 Million.
Career Overview
After working on the film Hawaii, Bette Midler moved to New York City in 1965 and studied theatre at HB Studio. She then landed a role in the off-Broadway plays Miss Nefertiti Regrets and Cinderella Revisited before being cast in Fiddler on the Roof. Once that performance was over, Midler joined the original cast of the rock musical Salvation in 1969.
In 1970, she began singing at the Continental Baths and became close with Barry Manilow, another regular performer. Two years later, she released her debut album, The Divine Miss M, earning her the 1973 Grammy Award for Best New Artist. Her self-titled album followed in 1973 and sold nearly a million copies in the United States alone. Since then, she has inspired some of the wealthiest singers in the world and some of the most well-known actors.
A Music Superstar
Bette Midler made her motion picture debut in 1979 in The Rose before releasing her fifth studio album, Thighs and Whispers.
In 1981, she was involved in the comedy Jinxed, which was a major box office flop. After that, she didn’t appear on the big screen again until 1986 and chose to focus on her music instead. During that time, she put out many hits, including “All I Need to Know,” “You’re My Favorite Waste of Time,” and “Beast of Burden.” After performing on the fund-raising single “We Are the World,” she signed a multi-picture deal with Walt Disney Studios.
In 1988, she appeared in Beaches, featuring her biggest hit, “Wind Beneath My Wings.” This song became No. 1 on the Hot 100 chart, earning Midler a Grammy Award for Record of the Year. Midler co-starred with Woody Allen in Scenes from a Mall and, in 1991, starred in the musical comedy For the Boys.
The New Millennium
After releasing her ninth album, Bathhouse Betty, in 1998, Bette Midler starred in her sitcom, Bette, in 2000. The same year, she made a cameo in Mel Gibson’s What Women Want, Isn’t She Great, and Drowning Mona.
In 2001, Midler was dropped from the Warner Music Group, and from 2003 to 2004, she toured America on her Kiss My Brass tour. She joined Barry Manilow in 2005 for the tribute album Bette Midler Sings the Peggy Lee Songbook. Midler debuted her Vegas show in 2008 at Caesars Palace and was nominated for a Primetime Emmy Award for Outstanding Variety, Music, or Comedy Special.
In 2013, she returned to the stage in I’ll Eat You Last: A Chat with Sue Mengers, her first appearance on Broadway in three decades. The following year, she appeared as a coach for Blake Shelton’s team on the 11th season of The Voice.
Recent Work
Bette Midler appeared in the 2017 film Freak Show while playing the title role in the stage play Hello, Dolly. After performing at the Academy Awards in 2019, she voiced Grandmama in the animated film version of The Addams Family. She would reprise her role as Grandmama in 2021 for the film’s sequel, The Addams Family 2. Midler then starred in The Glorias in 2020 and appeared in the second season of The Politician, having guest-starred in the first season.
In 2021, she received the Kennedy Center Honor for Lifetime Achievement in Performing Arts for her long and successful career. After receiving the award from President Joe Biden, she attended the Kennedy Center gala performance the following day. She reprised her role as Winifred in Hocus Pocus 2 on Disney+ in 2022 and appeared in Sitting in Bars with Cake in 2023.
Midler Vs. Ford Motor Company Lawsuit
In 1985, Midler filed a lawsuit against the Ford Motor Company and its advertising agency, Young & Rubicam, Inc. Midler claimed that they imitated her voice and used it for commercial gain to advertise their Lincoln Mercury cars. Ford Motor Company and Young & Rubicam, Inc. released a series of nineteen short television commercials targeting “Yuppies”. They used different songs for each commercial and tried to get the original artists who made the songs popular to feature. However, this wasn’t possible for all songs, so they had to use “sound-alike” singers.
Midler’s commercial fell into that category as the advertising agency wanted to use Midler’s 1970s cover of Do You Want to Dance?. Instead, the company used one of Midler’s prior backup singers, Ula Hedwig, to imitate her voice without Midler’s consent. This confused listeners and led to Midler filing the lawsuit. She argued that her voice was a distinctive part of her identity, and deceiving the public with a “sound-alike” into thinking she had endorsed the product was dishonest and misappropriated.
However, despite Midler’s claims, the court dismissed the lawsuit, stating that Midler didn’t own the copyright on her voice, so no infringement occurred. Midler then appealed the dismissal, and in 1988, the Ninth Court of Appeals reversed the decision and ruled in her favour.
Although the financial information for the suit hasn’t been released to the public, some reports suggest that the lawsuit sought $10 million in damages. Given Midler’s high profile and celebrity status, the settlement could have likely been in the six-to-seven-figure range, but this remains speculative.
Philanthropy
Known for her generous and caring nature, Midler has been actively involved in various philanthropic ventures throughout her career. In 1991, she began sponsoring Adopt-A-Highway to help clean up roads in various U.S. states and Canadian provinces and territories. In 1995, she founded The New York Restoration Project, a non-profit organization dedicated to nature conservation and preserving community gardens, parks, and green spaces throughout New York City.
In 2001, she launched various programs through her foundation, which were committed to providing resources and support to wounded service members, including custom-built homes. Since the first Gulf War in 1990, she has also begun visiting USO and military bases across America, serving meals to soldiers before they deployed as a token of her appreciation. Midler is believed to have helped and supported other global health and human rights organizations; however, these claims remain unconfirmed.
Real Estate
Midler has bought and sold high-end luxury real estate worldwide. For many years, her primary residence was her 7,000-square-foot, three-story penthouse on Fifth Avenue, Manhattan. In 1996, she and her husband purchased the property for a reported $3.5 million.
It has fourteen rooms in total, spread across three floors, six bedrooms, a library, a private elevator, landscaped terraces, and views of Central Park, The Reservoir, and Manhattan’s Skyline. It was previously two apartments but was remodeled and has 3,000 square feet of outside living space. Wanting to downsize, Midler and her husband listed the property for sale in 2019 for $50 million, selling it two years later in 2021 for $45 million.
Midler reportedly owns a 38-acre estate on Kauai, Hawaii, which she purchased for $1.5 million in 1988. She also sold a 1.34-acre plot of conservation-zoned land on the same island in 2020 for $1.85 million, which she purchased in 1986 for $150,000, approximately twelve times the purchase price.
Highlights
Here are some of the best highlights of Bette Midler’s career:
- The Rose (Song, 1979)
- Beaches (Album, 1988)
- From a Distance (Song, 1990)
- Hocus Pocus (Movie, 1993)
- The Adams Family (Movie, 2019)
MMA Fighters
Ronda Rousey Net Worth

Net Worth: | $16 Million |
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Age: | 38 |
Born: | February 1, 1987 |
Gender: | Female |
Height: | 1.68 m (5 ft 6 in) |
Country of Origin: | United States of America |
Source of Wealth: | Professional MMA Fighter/Actor |
Last Updated: | Oct 22, 2025 |
Introduction
Ronda Rousey is an American former professional MMA fighter, judoka, and actress with an estimated net worth of $16 Million.
In a six-year professional mixed martial arts career, Ronda Rousey fought 14 times and retired with a record of 12-2-0. She fought eight times in the UFC, winning six fights by first-round armbar submission. She earned approximately $17.8 million, which translates to an average of $2.225 million per fight.
Quick Facts
- Earned an estimated $17.8 million during her UFC career
- Received a salary of $1.5 million per year in the WWE
- Currently selling her home in Venice, California, for $1.83 million
Net Worth History
When we first began tracking Ronda Rousey’s net worth in 2019, she was worth an estimated $12 million. However, this was already after her time with the UFC had concluded. By this point, she’d already earned almost $18 million during her MMA career, excluding additional income from sponsorships and ventures outside of the sport.
In recent years, the increase in Ronda’s net worth is primarily due to her WWE contract, reportedly paying her a base salary of $1.5 million per year. As a result, her net worth has continued to increase, reaching an estimated $13 million by 2021 and $14 million in 2023. At the time of writing, we believe Ronda’s net worth is somewhere in the realm of $16 Million. This will likely change significantly once she receives her share of the UFC antitrust settlement.
Early Career
Rousey first began training in Judo at the age of 11, and her mother taught her. At the age of 17, Ronda qualified for the 2004 Olympic Games, where she became the youngest judoka to compete. The same year, she won a gold medal at the World Junior Judo Championships. Rousey went on to win many more medals in judo, but at 21, she quit the sport to pursue MMA as her new career. While primarily training in mixed martial arts, she held various jobs, including waitressing and bartending.
MMA Career
When Ronda Rousey first began competing as an MMA fighter, the female divisions of such competitions were in their very early stages. As such, the competition was of a much lower standard than it is today. This was very similar to the men’s divisions in the early 2000s, when people were still experimenting with various fighting styles.
Rousey possessed a skill set that few other women did at the time, being a former judo Olympian. As it turned out, this would translate perfectly into mixed martial arts. Ronda began competing in the Strikeforce organization and won all four of her fights by armbar submission in the first round.
In 2012, the UFC acquired Strikeforce, bringing many of its top talents with it, and established the UFC female bantamweight division. Since Rousey was the Strikeforce champion at the time, her first fight in the UFC was for the bantamweight belt against Liz Carmouche. Naturally, she got the job done with her gold standard first-round armbar submission and became the UFC’s first female bantamweight champion.
Between 2013 and 2015, Rousey defended her title successfully on five separate occasions, three of which were over in under 30 seconds. However, Rousey had become an icon in female mixed martial arts, and in the mid-2010s, talented female competitors were beginning to make their way into the UFC’s ranks.
The first was Holly Holm, who fought Ronda in November 2015, winning by a head kick knockout. Next, in December 2016, came Amanda Nunes, known for her impressive striking and raw power. Nunes knocked out Rousey in just 48 seconds of the first round, showcasing just how much the level of competition had increased in a few years.
Fight Earnings
Year | Opponent | Salary |
---|---|---|
2013 | Liz Carmouche | $574,720 |
2013 | Miesha Tate | $1,817,907 |
2014 | Sara McMann | $870,969 |
2014 | Alexis Davis | $1,063,688 |
2015 | Cat Zingano | $1,458,282 |
2015 | Bethe Correia | $2,642,204 |
2015 | Holly Holm | $4,476,662 |
2016 | Amanda Nunes | $4,879,766 |
Total Career Earnings: | $17,784,198 |
As part of a class-action lawsuit against the UFC, several paychecks of the organization’s star talent were made public, including those of Conor McGregor, Jon Jones, and Ronda Rousey. In fact, in Rousey’s case, every single one of her UFC fight earnings was revealed. Unfortunately, no specifics were revealed regarding the pay structure, but it would likely have been a combination of pay-to-show, pay-to-win, and PPV shares.
For her first fight in the UFC, she earned approximately $574,720 for defeating Liz Carmouche. This was followed by $1.82 million for defeating Miesha Tate for a second time. In 2014, she fought twice, earning $870,969 for beating Sara McMann and $1.06 million for defeating Alexis Davis.
With three fights in 2015, Rousey earned $1.46 million against Cat Zingano and $2.64 million for her final UFC victory against Bethe Correia. For her loss to Holly Holm, she earned an estimated $4.5 million. For her final UFC bout, against Nunes, she earned $4.88 million. This brings her total UFC earnings to approximately $17.78 million.
WWE Salary
After hanging up her gloves in the mid-2010s, Ronda transitioned into professional wrestling, signing a full-time contract with the WWE in February 2018. Reports suggest that the agreement had a lifespan of between three and five years. She earned an estimated annual base salary of $1.5 million. However, this doesn’t include additional income from event appearances, speaking gigs, and merchandising revenues.
It appears that Ronda was under this contract for at least four years, between 2018 and 2022, potentially earning a total base salary of $6 million.
UFC Antitrust Settlement
Rousey is among more than 1,000 professional MMA fighters who will receive compensation from the UFC’s Antitrust lawsuit, which was resolved in early 2025.
In late 2014, UFC fighters, including Cung Le, Nate Quarry, and Jon Fitch, accused the UFC’s then-parent company, Zuffa LLC, of anticompetitive practices. The fighters alleged that between 2010 and 2017, Zuffa LLC had stopped them from making their own deals or using competition between fight promoters to negotiate higher pay.
After more than ten years of court hearings and gathering evidence, a Nevada judge finally approved the $375 million settlement in February 2025. The outcome was the first major legal victory for MMA athletes. After deducting attorney fees, administrative costs, and taxes, roughly $251 million remained for the fighters. Although Rousey was not one of the original plaintiffs, the settlement ultimately covered all UFC fighters who fought during the period. The payouts were calculated based on the amount each fighter earned and how many times they fought between December 16, 2010, and June 30, 2017. Each fighter received roughly one-third of their total earnings from those years, along with an additional payment of about $14,000 for each fight.
As a result of the hearing, several fighters’ earnings were made public, including all the compensation Rousey received during the qualifying period. While some of the smallest payments could be around $16,000, the biggest names will receive far more. For example, it is reported that Anderson Silva might receive up to $10.3 million, Conor McGregor around $9 million, and Rousey approximately $6 million from the settlement; however, these figures have not been confirmed.
Real Estate
In June 2014, Rousey paid $1.42 million for an 868-square-foot, single-story home in Venice, California. She recently listed the property for sale in August 2024, with an asking price of $1.9 million. In September, the price was reduced to $1.825 million, and the property is still for sale.
Musicians
Mick Mars Net Worth

Net Worth: | $70 Million |
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Age: | 74 |
Born: | May 4, 1951 |
Gender: | Male |
Height: | 1.75 m (5 ft 9 in) |
Country of Origin: | United States of America |
Source of Wealth: | Musician |
Last Updated: | Oct 21, 2025 |
Introduction
Mick Mars is an American professional musician with an estimated net worth of $70 Million.
Mars is the lead guitarist and co-founder of the rock band Mötley Crüe, known for his aggressive, melodic solos and bluesy riffs. He dropped out of high school in the early 1970s and began playing the guitar in a series of unsuccessful blues and rock bands.
Quick Facts
- The Mötley Crüe have grossed a combined $367.3 million from touring
- Sold their master recordings music catalog for $150 million (2021)
- Mars filed a lawsuit against the band members over contract disputes (2023)
- Awarded $131,665 in legal fees, but the primary case is still ongoing.
Music Catalog Sale
In December 2021, the Mötley Crüe sold their entire music catalog to BMG for a reported figure of $150 million. The sale included the master recordings for their music portfolio, comprising nine studio albums such as Too Fast for Love, Shout at the Devil, Dr. Feelgood, and Saints of Los Angeles.
This is a stark difference from the $10 million figure that Elektra Records offered them in the ’90s, after the band parted ways with the company. Band member Nikki Sixx has previously commented on the situation in past interviews:
“Elektra wanted to buy our masters for $10 million, but we said no. Everyone thought we were crazy. Today those masters have made us far more than that.”
The $150 million was split four ways, but the band’s manager, Allen Kovac, likely took a small cut off the top. Assuming a typical 10% commission, Kovac potentially profited $15 million, with the remaining $135 million being split equally between the four band members. Thus, Mars potentially received a total payout of between $33 million and $35 million.
Tour History & Revenue
According to data from Pollstar, the Mötley Crüe grossed a combined $367.3 million on tour up until the end of The Stadium Tour in 2022, which was conveniently Mick’s last tour with the band. While it’s challenging to obtain exact data from their smaller tours, we do have information regarding Mick’s two final tours with the group.
Between 2014 and 2015, they embarked on The Final Tour, which reportedly sold over 1.35 million tickets across 158 shows. The gross revenue amounted to approximately $86.1 million, averaging $545,000 per show.
The Stadium Tour was the band’s best performing tour in history, spanning just three months between the 16th June and 19th September in 2022. Its success was primarily due to being a combined tour with Def Leppard, with additional appearances from Poison. They performed at 36 shows accross Canada and the United States, grossing approximately $173.5 million. This meant that the average revenue per show was an incredible $4.82 million.
With regards to how much profit the band earned from these tours, that’s an entirely different equation. Net profits can vary wildly from tour to tour. Industry experts often estimate a band’s net earnings at roughly 25% of the total gross revenue. This is the figure after all costs and commissions have been accounted for. Just for arguments sake, if we plug in 25% of $367.3 million, we reach a potential profit of $91.8 million. Since Mick Mars owns a 25% share of the band, this could place his net earnings from touring at roughly $22 million. This figure is a very rough estimate, and unlikely to be 100% accurate.
Mötley Crüe Lawsuit
Since 2023, Mars has been embroiled in a lengthy legal battle with his former Mötley Crüe bandmates. The issue revolved around his health problems, as Mars has struggled with a spinal condition since the age of 27. Despite being in pain, he continued playing with the band until 2022, when he stopped touring, though he made it clear that he wanted to remain a co-owner of the band.
In April 2023, Mars filed a lawsuit against the remaining band members, Vince Neil, Nikki Sixx, and Tommy Lee, although he sought to maintain his share of the business rather than seeking damages. The four members have an equal 25% share of tour revenue, merchandise, media, and real estate investments. Mars’ lawyers say that in October 2022, he was offered an unfair deal which would cut his share of touring profits from 25% to just 5% and then to zero for future tours. He’d also lose the same share for sales of band merchandise using the Mötley Crüe name or logo, though the deal would still let the band use Mars’ name and image. His lawyers said that the band warned Mars that if he didn’t sign the agreement, he would lose his position as an officer and director of the band’s companies.
To make matters worse, he would also have to sell his shares back at book value, a price that ignores the band’s fame and would leave him with only a fraction of what his stake is worth. Mars’ attorneys argued that original contracts, shareholder rights, and his four decades with the band should be enough to protect his stake. In response, Mötley Crüe’s lawyers said that stopping touring was the same as retiring from the band, and he should therefore not be entitled to any further compensation.
Latest Updates
At the start of the dispute, Mars and his lawyers asked the band for routine financial documents, but the band didn’t provide them. As a result, Mars was compelled to file a second lawsuit to obtain access to the records, which he won in early 2024. A judge ordered Mötley Crüe to pay $131,665 in legal fees, as they had failed to provide the documents. However, the larger dispute remains undecided, and the final decision could have significant consequences for both sides.
Real Estate
In 2007, Mick Mars reportedly pursed a 3,603-square-foot home in Malibu, California, for $1.46 million. Additional reports suggest he sold the property for just $1.35 million in 2013. However, we’ve been unable to confirm either of these figures with property transaction records.
Musicians
John Deacon Net Worth

Net Worth: | $170 Million |
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Age: | 74 |
Born: | August 19, 1951 |
Gender: | Male |
Height: | 1.81 m (5 ft 11 in) |
Country of Origin: | United Kingdom |
Source of Wealth: | Musician |
Last Updated: | Oct 21, 2025 |
Introduction
John Deacon is an English retired professional musician with an estimated net worth of $170 Million.
Before Wealth & Fame
John Deacon joined his first band, The Opposition, as a rhythm guitarist but switched to bass a year later. In addition to being a musician, Deacon also served as the band’s archivist, and he remained with them for four years.
After that, he earned a First Class Honors degree in Electronics from Chelsea College and saw Queen perform live for the first time. He then became the last member to join when they lost their bassist in early 1971, and he played his first show at the College of Estate Management.
Deacon didn’t know it then, but he was set to become one of the richest rock stars in the world as a member of Queen.
Queen
John Deacon was credited on Queen’s first album in 1973 as Deacon John to make him seem more interesting. However, he requested his real name be used in the credits, which was done on all subsequently released albums.
Deacon started writing for Queen’s third album, Sheer Heart Attack, with the songs “Misfire” and “Stone Cold Crazy.” He also played some of the guitar sections when Brian May was hospitalized with hepatitis during the recording sessions.
In 1975, his song “You’re My Best Friend,” written for his future wife, was included on Queen’s fourth album, A Night at the Opera. After that, he wrote the wildly popular “Another One Bites The Dust” in 1980, which quickly became one of the band’s best-selling singles. Deacon continued collaborating with Freddie Mercury throughout the 80s, helping the band move their sound towards disco.
Final Years
John Deacon’s work with Mercury culminated in the band’s 1992 album Hot Space, where he played the opening of “Staying Power.” He also insisted on playing the guitar on “Back Chat,” a song that was his own composition, and May’s style didn’t suit it. However, this album proved to be commercially unsuccessful, and Queen returned to their former sound with their subsequent albums.
By the mid-80s, Deacon had started working with other bands and artists, including Elton John, Bad Company, and The Pretenders. At this point, he considered his songwriting to be as important as his musical skills, stating he wouldn’t have been satisfied with only playing guitar.
Unfortunately, in November 1991, Freddie Mercury passed away, and his death upset Deacon so much that his career saw a significant reduction. After playing with Queen three more times, including at The Freddie Mercury Tribute Concert for AIDS Awareness, John Deacon retired from music.
Music Catalog Sale
In 2024, Sony Music Entertainment acquired Queen’s entire music catalog for a record-breaking $1.27 billion, one of the largest music deals in history. John Deacon, Roger Taylor, Brian May and the estate of Freddie Merucry each reportedly received approximately $300 million from the sale before considering taxes and management fees. This represented, by far, the single biggest payday of Deacons career. The sale included all of Queen’s albums and singles, featuring timeless hits like Bohemian Rhapsody, We Will Rock You, and Somebody to Love.
Queen Productions Ltd
All reports suggest that John Deacon still owns a percentage of Queen and regularly receives royalty payments from the band’s music. Queen Productions Ltd is a British company linked to the band, with all related payments being processed through the business. However, as of June 2024, Deacon, May, and Taylor are no longer company directors.
The company’s latest filing shows total profits of £17.6 million ($21.47 million) before taxes in 2024, a slight decrease from the £19.65 million ($23.96 million) figure in 2023. The total dividends distributed during the 2024 calendar year were £3.66 million ($4.46 million).
Between 2015 and 2024, a total of £123.21 million ($150.3 million) in dividends has been distributed to the company’s shareholders. Queen Productions Ltd’s ownership is split four ways between the three remaining band members and the estate of Freddie Mercury. This is structured as follows:
- John Deacon – Ordinary A Class Shares
- Brian May – Ordinary B Class Shares
- Roger Taylor – Ordinary C Class Shares
- Estate of Freddie Mercury – Ordinary D Class Shares
Each class of company shares is valued equally, effectively meaning that all four parties hold a 25% stake. Thus, John Deacon’s dividends over the past ten years amount to £30.8 million ($37.6 million).
These dividends were paid out with annual totals as follows:
- 2024 – £3.66 million ($4.46 million)
- 2023 – £19.65 million ($23.96 million)
- 2022 – £12.9 million ($15.7 million)
- 2021 – £17.07 million ($20.83 million)
- 2020 – £20.17 million ($24.61 million)
- 2019 – £19.43 million ($23.72 million)
- 2018 – £7.8 million ($9.52 million)
- 2017 – £5.85 million ($7.13 million)
- 2016 – £5.68 million ($6.93 million)
- 2015 – £11 million ($13.42 million)
Retirement
After retiring, John Deacon appeared briefly with his bandmates in 1997 to record Queen’s final song, “No-One but You (Only the Good Die Young).” However, he later spoke unfavorably about Robbie Williams and Brian May’s “We Are the Champions” cover, which was released on A Knight’s Tale.
Since then, he has remained out of the limelight and even chose not to attend Queen’s induction to the Rock and Roll Hall of Fame in 2001. He also didn’t join the Queen + Paul Rodgers collaboration, though May has stated he is involved with the business side of the band.
In 2014, following the Queen + Adam Lambert North American Tour, May admitted he had no contact with Deacon aside from talking about finances. May spoke to Rock FM Spain in 2022, stating that he didn’t think Deacon would ever perform again and that they still have minimal contact.
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